From your image to its finished presentation.
Printing, mounting and framing.
Made around the work.
Fine-art printing, mounting and framing for photographers, artists, galleries and collectors. We also work with scanning and photographic wallpaper, from individual images to exhibition displays.
The image comes first. We work with you to choose its scale, surface and presentation, bringing the details together around the work and the space it will occupy.
Discuss your project
Fine-art
printing
Your work, in print.
Print photographs and artwork for exhibitions, portfolios, collections and interiors. We consider the image, its intended size and where it will be seen when discussing paper and finish.
Paper changes the way an image is encountered. Its surface affects reflections; its texture and tone contribute to the character of the print.
Paper and finish
We can help you explore the right finish for your project. Available materials will be confirmed in your quotation.
Smooth matte
A low-reflection surface with little texture.
Textured fine-art paper
A more pronounced surface that gives the print a tactile quality.
Lustre
A gentle sheen without a fully glossy appearance.
Semi-matte
A restrained finish between matte and gloss.
Glossy
A reflective surface with a polished appearance. Consider it alongside the lighting and viewing position.
Size and borders
Tell us your preferred image size and whether you want borders or an edge-to-edge print. We will discuss how the file’s proportions and resolution relate to the finished format.
Discuss a print projectFraming and
mounting
Give the work its place.
Framing brings scale, spacing and material into the presentation of an image. Mounting supports the print and can form part of a framed or unframed display.
Classic framing
A surrounding frame, with or without a mat, chosen around the proportions of the work and its setting.
Bring your image, dimensions and any references you have. We will discuss the frame, spacing and support as one specification.
Discuss framing and mountingScanning and digitisation
A new starting point for your originals.
Create digital versions of physical originals for printing, publishing, reference or a digital collection.
The approach depends on the original’s format, size, condition and intended use. A file for a publication may need a different specification from one intended for a large print.
- FilmEnquire about negatives or transparencies. Include the film format and your intended output size.
- Photographic printsStart from an existing photograph when the original digital file or negative is unavailable.
- Artwork and documentsDiscuss works on paper and other flat originals. Include their dimensions and any handling considerations.
If you need dust cleanup, colour adjustments or other image preparation, tell us when you enquire so that this work can be assessed and included in the quotation.
Discuss a scanning projectPhotographic wallpaper
An image at the scale of a room.
Use photography as an exhibition backdrop, a visual narrative or the focus of an interior.
Image and composition
Cropping, viewing distance and the position of important details all change when an image fills a wall. We consider them alongside the room’s layout.
Wall dimensions
Share the wall’s width and height, including doors, windows, sockets and other interruptions.
Materials and installation
Tell us about the wall surface and whether the display is temporary or intended for longer use. Material suitability, panel layout and installation arrangements will be confirmed in the project specification.
Enquire about photographic wallpaperHow your project takes shape
Share the work
Tell us what you want to make and whether you have a digital file, film, a print or another physical original.
Define the presentation
Share the setting, size and finish you have in mind. References help; uncertainty is welcome too.
Agree the details
We bring the services, dimensions, quantity, materials and any preparation into a quotation, with the proposed cost and schedule.
Confirm production
Production begins after the specification, cost and schedule are agreed.
Planning
your order
Unsure about paper or framing?
Start with the image and where it will be shown. Tell us how you want the finished work to feel, along with any practical requirements or budget.
Does your file need preparation?
Mention any concerns about resolution, cropping, colour or visible marks. We will discuss any adjustments before the production specification is confirmed.
Preparing an exhibition?
Include the number of works, approximate dimensions and whether they need a consistent presentation. A simple list of works helps us understand the scope.
What will the quotation cover?
The agreed services, dimensions, quantity, materials and any image preparation, with the proposed cost and schedule. Tell us if you also need mounting, framing or installation so these can be assessed.
Will I approve a proof?
Where a print proof is needed, we agree it with you and confirm approval before final production. The specification, cost and schedule are also agreed before production begins.
When will the work be ready?
Share your preferred completion date and whether it is fixed or flexible. We will confirm the schedule with your quotation.
Tell us what you want to make.
Share the services you need, your image or original, proposed dimensions and quantity, and the finish you have in mind. Tell us where the work will be shown, your preferred completion date and your budget, if established.
You do not need every detail settled to begin.
Request a quoteContact
Kuduo at Dikan CenterL3 Third Kaajaano Street
South La Estate, Accra, Ghana